Town Mountain

[00:00:02] What you want when you want it, where you want it.

[00:00:06] This is The Mesh.

[00:00:08] I'm With The Band, music and interviews you're going to like.

[00:00:18] Welcome to I'm With The Band here on The Mesh podcast network.

[00:00:26] I'm your host Andrew Moose. If this is your first time listening,

[00:00:29] time with the band, I'm With The Band invite musicians and bands of all types

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[00:00:52] audience plus of hard. The only people who listen to I'm With The Band in particular

[00:00:56] are rich in their beautiful and all they want to do is spend money with your company.

[00:01:00] So today I'm super excited for this guest. A little personal, a little

[00:01:04] personal backstory. These guys have been on top of my list for a long time.

[00:01:08] My first saw them when they came to Hickory to play the music in the middle series and I saw

[00:01:12] them again when they headline The Groverfest 13 Festival. I'd like to welcome Jessie Langlade,

[00:01:18] the Monster Band Joe Pickler from One of my favorite bands on the planet, Town Mountain.

[00:01:22] What's up, Jessie? Andrew, thanks for having me. Happy to be here.

[00:01:26] Yeah, man. Thank you for being here. We really appreciate you taking some time to

[00:01:30] join us today. Before COVID Town Mountain was hitting the road and touring the country,

[00:01:36] just as heavily as anybody. You know, about just about any band could.

[00:01:40] I bet you guys are really just shompered a bit to get back out. We are, but

[00:01:46] we want to do it safely, but personally yeah, we're all, we've all got that musical

[00:01:54] drive. It's what we do. We've done it for a long time. We've curated a fan base and

[00:02:02] recorded several albums and we've been on the road solid for 10 years.

[00:02:06] I mean personally, yeah, we're all like there's a big part of our life that's gone right now

[00:02:14] and any of your listeners and musicians will get it. You get it. It's like it's part of

[00:02:22] your psyche, it's part of who you are if you're a performer or an artist or a musician.

[00:02:30] It's kind of the mojo that keeps you going. Fortunately, I've got a lot of other things going on

[00:02:38] in my life that pull me and those directions, but we do miss playing, I miss my friends,

[00:02:50] the guys and the band, I miss the fan base. We're really close a lot of our fans. I miss those

[00:02:57] people a lot and just the whole scene it's hard, but we're ready to get out, but we're ready to do

[00:03:04] it safe, you know? Right. You know, I saw I've been seeing a lot of festival starting to pop up.

[00:03:14] One in particular that's kind of right down the road from us with the infamous string

[00:03:19] dusters are playing at the Vanhoi campground up in Harmony North Carolina and there is an

[00:03:23] that pod system where you know four or five people are in or four people I believe are in eight

[00:03:29] by ten pod and are able to you know, bug you with one another inside that little pod. But you know,

[00:03:36] it's still outside looking in. That still seems like it would be risky.

[00:03:43] Yeah, you know, I don't know where you're framing the risk from but obviously there's going

[00:03:50] to be some risk with COVID but risk beyond that on I think everybody in the music industries

[00:03:57] kind of feeling this ripple and understanding and trying to reckon what fit is, you know,

[00:04:06] what's the overhead? You know, what's everybody? That's an extra few steps involved to put

[00:04:13] on a show and yeah, good one. Everybody for trying to make that happen and I foresee town

[00:04:20] mountain having to go into that territory at some point in time. But yeah, it's just I'm sure

[00:04:28] everybody has got that lingering on their mind, you know, what's the extra cost? And, you know,

[00:04:34] as you know, as a musician like a lot of the folks in the industry are, you know, it's almost

[00:04:40] hand the mouth. I mean, some people are making it but venues struggle festivals struggle for

[00:04:47] a few years before they really take off. So I'm shooting this often a pessimistic kind of way,

[00:04:53] but I think that honestly that's really what everybody's thinking about in the big risk is.

[00:04:59] Yeah, and I don't think you're being pessimistic at all. I think you're being more realistic than

[00:05:04] anything. There's so many different variables now that weren't even thought about a year and a

[00:05:10] half ago, and that overhead is going to be lingering over everybody like you said. Like it's like,

[00:05:18] how are we going to navigate this new space? So it's going to be interesting to see what the next

[00:05:22] six months, 12 months look like for venues and bands in particular. So, you know, you mentioned

[00:05:31] Tom Mountain's got a handful albums out and the most recent album was the new Freedom Blues.

[00:05:37] I loved it. I thought, I thought, is absolutely terrific, man. Where did you guys record that one?

[00:05:42] At Com Mountain in Asheville. Yeah. First time we'd ever recorded at home.

[00:05:51] Usually, usually travel outside the city for that. I've heard a lot of bands here recently are

[00:05:58] going to that echo mountain the studios. I've heard nothing but great things about that place and

[00:06:03] obviously they're the product they're putting out or just just killer. One of those songs on

[00:06:10] the new Freedom Blues album is Download, and I believe you wrote that song, right?

[00:06:14] I did with my body Tyler Shelders. Yeah. So I saw that the YouTube video when you guys played

[00:06:21] Red Rocks of that story where I'll let you tell it. I'll just let you tell it. Yeah. Yeah.

[00:06:27] So Tyler and I go way back and town mountain Tyler go way back as well. But he was coming

[00:06:37] to the town or I convinced him to come up to town for a few days and spend some time in my house

[00:06:42] just hanging out and catching up and shooting the breeze and writing a little bit.

[00:06:49] We wrote that song, and that was years ago. It was probably five years ago.

[00:06:53] Maybe a shade longer than that. And I initially brought it to town mountain when it was

[00:07:01] record or when we had written it and it didn't really hit with the guys. I mean, hit with me. I thought

[00:07:10] it was a good song. I thought it would do well for us but wasn't hit with the guys and it kind of got

[00:07:14] pushed through the wayside and then right as we started to get into the studio from new freedom,

[00:07:21] Phil was like, hey, where's that tune that you and Tyler wrote? Let's listen to that. Yeah. And so

[00:07:26] I busted it out and then we convinced Tyler to come and record. But yeah, the joke I make is that

[00:07:34] Tyler was lucky enough to be on a songwriting session with me.

[00:07:40] This was before Tyler said well, I saw that video. He said he he kind of forgot about it. I was like,

[00:07:45] how do you forget about that song? I think it's a banger. Like that is going on. You didn't forget about it.

[00:07:50] He didn't forget about it. That was that was me trying to jab my buddy and my buddy talking

[00:07:56] about you. I got you. I'm jabbing at me. So that's what happened there. He didn't really wrote that.

[00:08:03] I got it. Well, he ended up being my favorite song about the man so well-dunded. Thank you.

[00:08:08] That chorus had been in my head for years. The chorus was like there and then I had some

[00:08:15] framework of some of the verses and then Tyler came in and it just kind of felt together really

[00:08:20] fast. But yeah, who doesn't know about that scenario? You indulge too much and whatever you have

[00:08:27] again. I mean, it could be anything. You know, it didn't have to be at all or whatever. I mean,

[00:08:32] it could be chocolate. But yeah, it's just the song about indulgence and how we're all kind of

[00:08:38] susceptible to it.

[00:08:54] When you see me out tonight, there and above the palm of my people stop and step aside so I can move along.

[00:09:21] Is it just because they're friendly or the fact that I am gone?

[00:09:31] Step in over lines of the paths they travel on.

[00:09:40] Living on my side.

[00:09:46] Better keep it on low and get the feeling just right.

[00:09:59] Think I'll have to go and sit down.

[00:10:02] It's the thing that they believe in this on the dark and the street.

[00:10:20] You might have still my condition, just my pressure where I've been.

[00:10:29] If I talk in any louder than the company than I'm.

[00:10:35] Living on the high side. Better keep it on low and get the feeling just right.

[00:10:52] Think I'll have to go and sit down.

[00:11:29] It's when I greet your friends and learn,

[00:11:32] shaking like a leaf in the middle of the storm.

[00:11:35] You're on my phone from making me see.

[00:11:41] I wouldn't much credit for friends around here.

[00:11:44] But if people in corner and start to stare,

[00:11:47] having a fall for everything.

[00:11:52] Living on the high side.

[00:11:59] Keep it on low and get the feeling just right.

[00:12:11] Think I'll have to go and sit down.

[00:12:14] Living on the high side.

[00:12:30] Stragging up and trying to act right.

[00:12:36] Keep it on low and get the feeling just right.

[00:13:12] This podcast is sponsored by Jackson Creative,

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[00:13:23] To learn more, visit the JacksonCreative.com.

[00:13:28] Jackson Creative, we tell your story.

[00:13:34] Another song I want to ask you about is,

[00:13:36] obviously you didn't write it.

[00:13:37] It was the I'm on fire Bruce Springsteen cover from

[00:13:42] albums that he wrote in here at take to album.

[00:13:45] That's a great song.

[00:13:48] What I feel like my entire life, it feels like.

[00:13:52] But I tell you man, I never thought about it being a bluegrass tune.

[00:13:55] Not once.

[00:13:57] It didn't come across to me as something that could even be

[00:14:02] an upbeat type of song.

[00:14:03] I mean, you guys don't really do it in a upbeat style,

[00:14:06] but it's definitely in a higher BPM that Bruce Springsteen did.

[00:14:13] We tried to keep the essence of the tune and not play it too fast.

[00:14:19] That often happens when bluegrass bands cover a song.

[00:14:22] They like in double time.

[00:14:25] It just feels like a bluegrass tune.

[00:14:27] We wanted to try to keep some of what that song embodies.

[00:14:31] It's feel.

[00:14:36] I think any song can fit any genre with minor tweaks here and there.

[00:14:43] Obviously that song did because it really is done well for us.

[00:14:46] We can't go with show without playing that song.

[00:14:49] Yeah, it's good, man.

[00:14:50] It's a good, and honestly in ever since you guys started playing that song,

[00:14:56] every freaking band in our area is playing that song out loud.

[00:15:00] You guys put that new spin on it, everybody, and myself included,

[00:15:05] play that song out.

[00:15:06] And it's great.

[00:15:07] Do it so much fun.

[00:15:08] It's a fun song to play and the crowd loves that song.

[00:15:12] That means everybody just absolutely just freaking loves it.

[00:15:16] I've heard people refer to that as an obscure Bruce Springsteen song.

[00:15:22] I always grew up kind of knowing that song.

[00:15:25] I've read that about a red dot somewhere.

[00:15:29] I remember hearing that a lot growing up as a kid.

[00:15:34] Yeah, it's an interesting tune.

[00:15:36] There's really a lot of ambiguity in the lyrics of that song.

[00:15:40] It's hard to decipher what he's trying to tell the audience.

[00:15:44] But it's a heavy tune.

[00:15:47] And the Bruce's version is so cool.

[00:15:50] It's just like it's so awkward.

[00:15:55] Like the synth that just plays on notes.

[00:15:59] It's maybe he was trying to get that song stripped down as much as he knew how to strip a song

[00:16:06] down without putting a band down in a mandolin editor or something.

[00:16:38] It's a good tune.

[00:16:39] You can't do two things that I do.

[00:16:44] I can take it hard.

[00:16:55] It's like someone took a knife baby.

[00:17:18] Gendol and put a sex angel in through the pedal of my skull.

[00:17:25] But where the sheets so can we out in a fridge, rain,

[00:17:30] running through the middle of my head and you.

[00:17:34] You fool my desire.

[00:18:05] There's sometimes like someone took a knife baby.

[00:18:08] Gendol and put a sex angel in through the middle of my skull.

[00:18:16] And now I wake up with a sheets so can we out in a fridge, rain, running through the middle of my head and you.

[00:18:22] You fool my desire.

[00:19:36] So I ask all the bands that that come on, I'm with the band and especially you guys live in North Carolina.

[00:19:43] You're out living around outside of Asheville now.

[00:19:46] What's your favorite festival to play in North Carolina?

[00:19:53] Existing or in the paddling way.

[00:19:58] Well I mean,

[00:20:01] Moral Fest is like it has to be up there, right?

[00:20:06] It's such a nice, nice festival.

[00:20:08] It is known worldwide.

[00:20:11] Arguably the big one.

[00:20:12] It's one of the biggest festivals probably in the country I would assume.

[00:20:16] Yeah, they bring a ton of people into Wilkesborough that we can do.

[00:20:18] And even like just the whole history of being around Doc and Moral's life is like a sea.

[00:20:25] That's really important to me.

[00:20:28] When I first got into Bluegrass music and acoustic music, Doc and Moral were like some of the first artists that I was listening to.

[00:20:36] And man that stuff hit really heavy.

[00:20:39] It still was an honor to go play that festival.

[00:20:41] I love playing that festival.

[00:20:43] But I mean we've played so many fun festivals.

[00:20:48] Last year we played the Out of Banks Bluegrass Festival, which was fun,

[00:20:52] smile fest, mountain song,

[00:20:59] I mean I'm just like scratching the surface.

[00:21:02] There's a plethora of bluegrass festivals we've played that I can't even recall all the names of them.

[00:21:08] But it was another one.

[00:21:13] It's hard to say favorite but I will say that they're all fun and

[00:21:20] Moral Fest has that like as a bluegrass musician and has that kind of home base feel you're like

[00:21:29] God we're here, we play Moral Fest, we kind of made it, you know that's a big deal so.

[00:21:35] But I love all that.

[00:21:37] I love Moral.

[00:21:39] Yeah, that's my favorite thing to do in the world man is going to music festivals and

[00:21:45] you know I've been lucky enough to be able to play handful too and

[00:21:48] but you know Moral Fest you're right like if you get invited Moral Fest and

[00:21:54] you're playing main stage or even a side stage for that matter

[00:21:57] and you have all those eyeballs there you know you have to feel like

[00:22:01] you are some sort of a accomplishment you know like congratulations to yourself

[00:22:06] like that thing is like you made it like that's for real the best like the best bluegrass festival

[00:22:13] in the world mob in mob humble opinion.

[00:22:16] Can I tell a quick story about this and please another reason why

[00:22:21] it is so important to me this one situation that happened

[00:22:27] Patty Griffin grew up a couple streets down for me and is relatively close to my father's age

[00:22:37] and my father I took him to Moral Fest a couple times the first time he went

[00:22:41] he was playing with Robert Plant because Robert Plant and her were an item and they

[00:22:45] had to ask them project that they were playing that summer and my dad went up to Patty

[00:22:51] after the show and was talking to her hey we're from Old Town Maine you grew up

[00:22:57] you know two streets over Moral you know I grew up my boy grew up and he's here playing

[00:23:02] and that's a dad just shooting the breeze with Jim Waterdale and and Patty and this is

[00:23:08] like pretty cool for my dad and here watch Robert Plant into the conversation and my dad's

[00:23:15] so like Robert Plant has a god you know like that's that one I mean that's a big deal so

[00:23:22] that one instance always kind of makes Moral Fest feel really special to me just watch

[00:23:28] my dad's eyes light up and Robert Plant became into the scene.

[00:23:33] Yeah man that's awesome yeah that's that's a great story man.

[00:23:37] The you know I've heard a lot of bluegrass bands start to play some of those

[00:23:45] there's Zeppelin tunes that are just kind of they're kind of lint their ear to more of

[00:23:54] a bluegrass song like like a gallows pole would be won.

[00:23:58] Gallows poles are great one too yeah I just I mean look it's just full circle at that point

[00:24:06] those dudes were learning British folk songs and blues tunes from the US

[00:24:13] right and then they're going to hit it in a rock and roll and then that rock and roll can now be

[00:24:18] distilled back down to bluegrass or acoustic music I mean it's all the same shit you know

[00:24:25] yeah for sure yeah for sure you know in the eight in Zeppelin I mean I'll just say nicely they borrowed

[00:24:33] a lot of songs do that they did and they've completely flipped them on this head and created

[00:24:40] that you know that genre music that we all know and love so just see I also asked this question

[00:24:46] too um man what are you listening to right now besides town known music yeah let's listen here

[00:24:57] well just to get this phone I'd like to remind everybody to go subscribe to all the

[00:25:01] mesh podcast network shows and we would love for you guys to rate and review and

[00:25:08] and all that good stuff so our network can grow to the heights that we would love to be

[00:25:14] so so Jesse tell us a little bit about you know what you're listening to cool so I whenever

[00:25:20] somebody asked me this I kind of go back to my recent downloads and answer the question that way and

[00:25:27] um this past week I've been listening to a lot of the transatlantic sessions I familiar with

[00:25:34] transatlantic sessions at all I'm not I'm not it was a project that started in the late 80s or

[00:25:44] early 90s and it was Ali Blaine a Scottish fiddler he and a bunch other or maybe he's an Irish

[00:25:56] fiddler a bunch other UK musicians primarily Irish and Scottish got together with a bunch of

[00:26:03] cats from the US like Jerry Douglas and Emily Harris and um Russ bearerburg and a bunch of players

[00:26:15] and they all came together and kind of spent all this time in this mansion in Scotland

[00:26:24] and recorded all these tunes they would play Irish tunes they would play American songs and

[00:26:30] it's all videoed check it out transatlantic sessions session one is the best but that's like three

[00:26:36] hours in itself I mean it's it's super gutter I'm feverishly taking notes yeah

[00:26:43] what else let me see here two's feelman's you know two's feelman's is he's a French harmonic player

[00:26:52] yeah I've been listening to him I've been trying to get my little girl in the Nina Simone

[00:27:01] so we've been listening to a lot of this one particular album called Little Girl Blue

[00:27:08] and and then for like recent kind of American stuff I've been listening to this

[00:27:14] a guy named Brent Cobb and his new album called Keep Among Yeah those man

[00:27:21] Keep it on the toes man I love that song it's great that album is fantastic I've listened to

[00:27:27] that a bunch what's wild man as I was listening to your to town mountains amazon music station a

[00:27:34] couple weeks ago and that's how I got turned over that guy leave it right that song came on when

[00:27:40] I was driving yeah it's cool amazon music is it's figuring out the algorithm out man I'm

[00:27:46] stuck on that I always get people saying hey I was listening to so and so and you know sometimes

[00:27:53] it's clearly there's a you know correlation between us and that artist but sometimes it's not

[00:27:58] it's just off the wall and you're like really we got thrown on that channel but that's great

[00:28:03] as good cross pollination you know yeah okay no kidding yeah and it's almost it's got to be that

[00:28:10] thumbs up thumbs down louder than the people are doing you know whenever they're whenever they're

[00:28:15] hitting those those like and dislike buttons they're they're really hunting into what people are

[00:28:21] liking and the the correlation image between the two yeah for sure yeah what else uh what else here

[00:28:32] been listening to oh I found this on the huge grateful dead fan in huge jerry's actually a fan

[00:28:41] I found this album um and I've always known who or net Coleman was but there's an album called virgin

[00:28:48] beauty came out in the late 80s and uh and ornets got a jerry playing on some tracks and it is

[00:28:57] some super interesting far out I can only imagine for jerry it must have been some of the most

[00:29:05] satisfying music he played because he was always like he was a jazz cat you know he really was in

[00:29:12] that stuff and I don't know I think I can just hear him playing on this these tracks and I'm like

[00:29:18] oh man he's really like digging what's going on it's just like really free form jazz music but right

[00:29:25] yeah that man he he he was able to transcend genres like more than anyone I've ever known I mean

[00:29:33] I personally didn't know him of course but you know started off as a bandjoo player and kind of

[00:29:38] was moved into all different phases of music through you know through the connections he made with

[00:29:45] a grateful dead and I think that was just it's it's awesome to be able to hear him playing with

[00:29:51] all different types of people from you know the dead all the way to you know the jerry gar sioban

[00:29:57] to you know the things you're talking about that guy was was able to be out front and this is what

[00:30:04] I I really appreciate with him as he was able to be out front and be that guy and really carry a band

[00:30:12] but also sit back and would and could you know play subduly and was able to listen and really fill

[00:30:20] in whether fill in the cracks you know he's he isn't I mean to the people who know we know I

[00:30:26] I feel like he's unarraded I feel like the dead is unarraded feel like a lot of people

[00:30:32] don't put the time in to realize how significant of a band they actually were

[00:30:39] and they just write it off as you know hippy music and it's like not deeper those songs man

[00:30:46] those songs are timeless they will stand the test of time he's gone that one other person and

[00:30:52] they have brown eye and they have brown eye women that those songs will live forever

[00:30:58] yeah so anyway yeah love listening yeah for sure I mean if you think that people 100 years

[00:31:05] from now won't hear ripple you're crazy exactly you know but it's it there's songs that that

[00:31:10] means so much to everybody that even aren't fans of the grateful dad those songs will live forever

[00:31:18] you know there's there's a handful of songs that mean the world to me and that I know I'll never

[00:31:26] I never don't listen to them and you know a lot of people and I'm sure you get this too if you're

[00:31:33] love the dead as much as I do it's like why do you listen to them all the time like what is it

[00:31:37] about them well what is it about them is they're the songwriting it's the songs it's the stories you know

[00:31:44] and and granted they didn't write a lot of them you know hunter and and wrote a large

[00:31:49] chart of those but those songs that the band brought to life is just it's unfathomable me I can't

[00:32:00] their body of work beats the day lights at everybody in my personal down I agree they're one

[00:32:06] of the foundation for americana yeah they really I always say they're the first americana band

[00:32:15] they were the first one and I've never thought about like that but yeah I've they've

[00:32:19] inflated everybody so much beyond them it's not even funny even people who don't like them yeah

[00:32:26] well my one of my favorite dead albums is reckoning and you know the reckoning the acoustic album

[00:32:34] that was recorded in I believe 1980 in New York I think and if you if you didn't know it was the

[00:32:44] dead and you listen to it you're like this is some of the best acoustic music that you could

[00:32:51] honestly hang your hat on you can say this is the gold standard of acoustic music

[00:32:56] and just the stripped down versions of those songs were for me I fell in love with all those songs

[00:33:03] again and and every time I listen to that album it's like it's just so simple and beautiful

[00:33:10] and it was just there's no I guess there's just I'm just so biased when it comes to them but the

[00:33:19] that album is probably you know top top three for me nice for sure that's a good one

[00:33:25] yeah so hey Jesse what's next for tell them now man I mean obviously with covid going on

[00:33:30] schedules up in the air but are you guys writing or are you guys looking to produce another album

[00:33:36] anytime soon I mean we have the album ready to go oh awesome yeah and it should have been recorded

[00:33:45] by now but it's not recorded because logistically it's challenging to get everybody here get the

[00:33:54] producer here get miles on drums get the engineer and town get everybody here with all

[00:34:00] the covid stuff going on it's it's it's difficult it's not easy to record right now because

[00:34:08] everybody's as safe as you are if not more so um and you I mean me or the next guy in town

[00:34:17] everybody's just you know plant safe but we were Phil Robber and I in Zach some

[00:34:26] the last year were like playing a lot so we were tighten up the turns and yeah I mean there's a

[00:34:34] whole album ready to go I for one can't wait and I'm sure all the rest of the town mountain fans are

[00:34:40] just chomping at the bit and so just to tell everybody where they can find more about town mountain

[00:34:47] here you music and all that stuff well you can go to the website townmountain.net and then you can find

[00:34:53] us on the socials you know we're on Twitter we're on Instagram we're on Facebook

[00:35:01] somebody told me we're on TikTok now although I don't know it oh nice

[00:35:07] like I shouldn't watch okay wait to see you on TikTok

[00:35:11] but uh we're a little with your uniform with your filters I need I need to learn about

[00:35:18] TikTok before you find me on there but uh yeah if you just search town mountain any of those will pop up

[00:35:26] I'm sure and yeah that's about it you know all those social media avenues you got it man

[00:35:38] well Jesse thanks again man for coming on the show we really appreciate you being here

[00:35:41] and spending some time with us it's a real treat for me man it's it was great to get know you

[00:35:47] a little bit yeah same here I feel is good to talk somebody about music even though you can't play it

[00:35:53] you know but it's not gonna be alright so and we love for you to head over to the

[00:35:57] mesh.tv and check out all of our other shows on the network and this has been I'm the band here

[00:36:02] on the mesh podcast network don't forget to be kind to one another and have a great show

[00:36:32] I can't think it's never greater than a better than a lower than a higher high

[00:36:37] see now my music keeps me traveling and I don't want to change the pain rolling for town

[00:36:44] all night as people all that on to your rain knew I can down the ground two moments of wildlife

[00:36:50] like it connects to symptoms in a moment back to you well I can get to put it on it

[00:36:55] it comes with been so long since I had a gotta come on to

[00:37:01] oh it's a civic is my thinking of you play this where you go to man from

[00:37:06] now it was for me to carry out a channel just a train that better y'all three love

[00:37:12] two shows in Alabama and Louisiana center there's batteries

[00:37:18] now be fly to the fucking cat in line coming back home to you

[00:37:30] I'm gonna fall and I said I'm wich I all I want would do this kiss you had it get me all that I can't stand

[00:37:51] I can't now I'm on the town, wait, was stabbing around you, knew you got me in the palm of your hand

[00:37:57] And it wasn't ever rain, nothing that I'd present to you

[00:38:03] So don't remind me that I'm leaving, I'm missing, sip it gets me thinking of it by day

[00:38:13] It's where you come to me and throw

[00:38:15] Round this birthday, and I can't lie to town, it doesn't bring up any else we love

[00:38:21] It goes in Alabama, but that'll be the end of Saturday's bed and roof

[00:38:26] There'll be glad you've got a fucking county line coming back up, it's a civic history thinking of you, baby

[00:39:22] It's where you come to the public County line just to come back home

[00:39:59] You've been listening to The Mesh, an online media network of shows and programs ranging from business to arts

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